And here are the blocks rolled up in color. When I started this piece I didn’t have any large blocks handy, so the image is actually kind of a mosaic made up of nine smaller lino blocks. You can see in the picture that the small blocks are being held in place with a jig. The image was large and simple enough that I was able to roll on ink of different colors without having to use a stencil, reduction cut, or any of the other more comlicated techniques usually required for achieving multiple colors.
The first color proof! But wait, that’s not all! I wanted to bust out some sweet chine-collé action. And if you are asking yourself “What the hizzety is chine-collé?” first of all, you are bad at cursing. Second, allow me to explain! Chine-collé is a printmaking technique in which colored paper is added to a print. In the pictures above you can see that I am using one of my proofs as a template to cut out some nice pink and red unryu paper. I apply some glue to the colored paper, and place it just so in between the blocks and the thicker white paper. It is like the beautiful filling in some kind of printmaking sandwich. Then it all goes through the press and comes out looking like this:
In other less fun news, my cat Gary died this week and I am now super sad. I am going to miss him a lot, and know that it will be a big adjustment not having him around sitting on my feet while I’m trying to print and climbing into my lap every time I sit down. He was the best cat ever, and not just because he made my process photos way more adorable.